Endnotes

1. Richard Haines, Technicolor Movies: The History of Dye Transfer Printing (Jefferson, North Carolina: McFarland & Company, Inc., 1993) 1-2.

2. Ibid., 3.

3. Ibid., 1.

4. Ibid., 1.

5. Scott Higgins, Harnessing the Technicolor Rainbow: Color Design in the 1930s (Austin: University of Texas, 2007) 2.

6. Haines, 2.

7. Roderick T. Ryan, A History of Motion Picture Color Technology (New York: The Focal Press, 1977) 77.

8. Haines, 3.

9. Haines, 3.

10. Haines, 4.

11. Higgins, 4.

12. Haines, 4.

13. Ibid., 4.

14. Ibid., 5.

15. Ibid., 5.

16. Ibid., 6.

17. Ibid., 8.

18. “In Waxworks” (New York Times: February 12, 1933)142.

19. Haines, 17.

20. Ibid., 18.

21. Ibid., 18.

22. Ibid., 19.

23. Andre Sennwald, “The Future of Color” (New York Times: June 23, 1935) X3.

24. “Here Comes the Colored Bow Medium” (The Washington Post: June 3, 1928) F2.

25. “Otis Skinner to Make Five Talking Films” (New York Times: December 2, 1929) 34.

26. Robert Edmond Jones, “The Problem of Color” (New York Times: February 27, 1938) 152.

27. Ibid., 152.

28. Higgins, 213.

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